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Who Designs our (digital) (next) (uncanny) (interfacing) Lifeworlds?

Praxis↭theory Seminars at the Hildesheim Faculty of Design Examine Current Interface Cultures and their Opaque Spheres of Production

Qualitative Design Research and Critical Design Praxistheory at the Nexus of Culture, Interfaces, and Strategy at the M.A. Gestaltung program Faculty of Design, HAWK University of Applied Sciences and Arts (Hildesheim, Germany)

Franziska Niele & Jan Hankel: „The Hario V60 Hand Filter How did the hand filter from Japan make its way into households around the world?“ (2025)

This research poster traces the global genealogy of coffee-brewing technologies—from early filtration practices in the Ottoman Empire and eighteenth-century Europe to twentieth-century paper filters, siphons, espresso machines, and the emergence of Japanese craft traditions—culminating in the development of the Hario V60 hand filter. It situates the V60 within a long lineage of experimentation between laboratory science and domestic practice, showing how material innovation, environmental production methods, and design engineering (such as spiral ribs, a 60-degree cone angle, and controlled flow dynamics) shaped its rise as a flexible, precision-oriented brewing device.

The study further connects technological evolution to cultural shifts in coffee consumption, mapping the so-called “waves” of coffee culture—from industrial mass beverage to lifestyle product, sustainability-driven specialty coffee, and today’s scientifically optimized brewing scene. By weaving together design history, industrial strategy, and consumer culture, the project demonstrates how a seemingly simple object became a global standard for contemporary coffee practice.

Franziska Niele & Jan Hankel: Der Hario V60 Handfilter Wie kam der Handfilter aus Japan in die Haushalte der Welt?

Seminar work 2025
supervised by: Prof. Konstantin Haensch

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